On February 23, 2024, MGMT duo Andrew Vanwyngarden and Ben Goldwasser released Loss of Life, the psychedelic pop or indie pop band’s sixth studio album. This release follows 11.11.11, the band’s previously released live music album in 2022, and the album Little Dark Age, released in 2018. Andrew Vanwyngarden teased the release of a new album and its name in September of 2023, stating “Just got done cooking, L.O.L”.
The tracks on Loss of Life are characterized by their extended durations, allowing for laid back, spacy sounds and instrumental exploration. The album leans towards a more chilled-out vibe, departing from the poppier, upbeat style of their earlier work.
Cinematic feels permeate the album, with keyboard and instrumental grooves intertwined with subtle hints of EDM influences. Tracks like People in the Streets stand out with its captivating keyboard solo, while Mother Nature, featuring Wilco’s guitarist Nels Cline, offers a serene yet impactful experience. Nothing Changes delivers a poignant message amidst the dreamy musical landscape.
While Loss of Life showcases MGMT’s signature sound, it also ventures into new territory, albeit safely. The album retains the band’s distinctiveness while exploring different sonic textures. However, it doesn’t stray far from their established style, maintaining a balance between experimentation and familiarity.
MGMT’s lyricism has not been their strongest suit, and Loss of Life doesn’t alter that perception. The album lacks profound emotional depth, focusing more on atmospheric and sonic exploration.
Despite its strengths, Loss of Life struggles to maintain momentum throughout its runtime, occasionally losing listeners in its nebulous soundscape. While appreciated for its deviation from the norm, the album risks being overshadowed in the vast expanse of contemporary music.
Overall, Loss of Life offers several highs and memorable moments for listeners, staying true to MGMT’s roots while exploring new sonic landscapes. However, its occasional lack of consistency and depth earns it a modest rating (in the writer’s opinion) of 7/10.